Office Space is a 1999 American comedy film written and directed by Mike Judge. It satirizes the everyday work life of a typical mid-to-late-1990s software company. Filter by category: News and discussion on copyright, copyleft, patents, trademarks, intellectual property, free culture, open source and free software, and cultural policy. We've started building a list of basic copyright resources. Have a basic question or want to learn more? If you're asking a question about copyright, make sure to include where you're located. Copyright laws can vary drastically depending on jurisdiction. Nothing on this board should be construed as legal advice, and it would be foolish to take it as such. Post not showing up? It might have gotten caught in the spam filter. And we'll sort it out. We enforce site-wide rules on. This is an English-language subreddit and any posts not in English are subject to removal. I don't know why you've said: 'Covers are usually OK, as long they are variant enough not to considered an exact copy of the song.' Almost all covers require explicit permission or a license to distribute. Basically if you copy any elements of the original song/composition (i.e. Any parts of the original melody or lyrics) and use them in your cover song, then you almost always need explicit permission or a license. If you do not make any significant changes to the lyrics or melody then you may qualify for a compulsory mechanical license which—in the US—means you can essentially force the copyright holder to license the musical composition to you (for the purpose of producing a cover version) at a statutory royalty rate of 9.1¢ per copy sold/distributed. If, however, you want to make any changes to the lyrics or melody, then you need to negotiate a custom mechanical licensing agreement with the copyright holder of the musical composition and to feature the cover song in a video project you need to negotiate a custom synchronization licensing agreement. Amy winehouse death age. So, in my opinion you have offered bad advice to. Almost every cover song requires explicit permission or proper mechanical licensing arrangements with the limited exception of: • Cover songs based on musical compositions that are in the public domain • Parody cover songs that modify the original song/composition in a way that is intended to humorously mock or criticize the original song/composition It's actually much easier to obtain a mechanical license if you do not make any alterations to the song (since you may qualify for a compulsory mechanical license and therefore not have to custom negotiate a license with the copyright holder). The only issue is that compulsory mechanical licenses come with a number of requirements/restrictions. Configure ldap on active directory. One of them is that the compulsory license does not cover sync rights for incorporating the music into videos (the compulsory license covers just standalone audio distribution). As a side note, the main reason why some media/production companies use cover songs instead of the popular commercial versions has to do with the licensing requirements for the sound recordings. Regardless of whether you use the original recording or a cover version, you still need to obtain a mechanical license to distribute copies of the music and a synchronization license to incorporate the music into your video (or otherwise sync the music with visuals). However, you only need to obtain a master use license if you are using an existing recording of the song produced by someone else. If you create your own cover version of the song then you do not need to pay master use licensing fees. Considering that master use licensing (especially for a popular song recording) can be very expensive, media/production companies often produce (or contract out) their own cover versions to save on licensing costs. However ultimately, they're still responsible for obtaining and paying for mechanical and synchronization licenses. By 2011-08-09 19:01:19 UTC originally appeared on the, where Mashable regularly contributes articles about leveraging social media and technology in small business. He hunches over his iTunes like a dragon on his jewels, relentlessly clicking through his favorite albums, subjecting the entire office to specially curated playlists like 'Pump-Up Jamz 4 U!' He's the office DJ — and unless you work in silence or are protected by the sanctuary of headphones — he can ruin the day with his imposed tastes. Often, we lazily let such tyrants have their way with our ears, too caught up with actually working to contest their musical choices. However, if we looked a little further into the digital music ethos for a solution, we would see that office jamming doesn't have to be a chore — or a battle. It can be a collaborative effort reminiscent of the culture of teamwork that your boss' inspirational posters tout. Read on for four services that put the 'I' and 'U' back into music: 4 Social Music Services for Your Office Soundtrack •.
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